[ By Delana in Abandoned Places, Subvertising & Counter-Ads, Urban & Street Art. ]

When a city’s economy begins to fail, those in charge have some choices to make. Should they pump money into local businesses? Should they let the public see just how bad it’s getting? One town in England is taking a novel approach to the scores of closed-up shops on its main street: they’re putting up fake business fronts to make the shopping areas seem less deserted.

(image via: Daily Mail)

In North Tyneside, more than 140 businesses have closed up shop, leaving the High Streets looking somewhat desolate and empty. Knowing that a deserted shopping area can discourage other businesses from moving in while it encourages even more to pull out, the North Tyneside council decided to try a radically unusual approach: they’re faking it.

(image via: Daily Mail)

The council is funding a project to install fake storefronts onto vacant retail spaces. The first stage of the project was transforming a deserted clothing store into a delicatessen. A removable covering reading “Delicatessen?” was installed over the shop’s existing signage, and a brightly-colored picture depicting the interior of a busy deli was installed behind the shop’s large windows.

(image via: Daily Mail)

The picture helps passers-by to imagine what the shop might look like if it actually were a delicatessen. The council hopes this bit of imagination-boost will help potential tenants to envision the possibilities of the space. It’s a powerful image that would certainly inspire business owners more than an empty, desolate retail space ever could. The council plans to put up more fake shopfronts to support commercial areas in several towns. At around £1500 per shop, it’s a quick, inexpensive and completely reversible way to spruce up a deserted-looking shopping center.

(image via: Torontoist)

If the project seems familiar, maybe it’s because it’s eerily similar to an art project that took place in Toronto in 2008. Artists Dan Bergeron and Gabriel Reese put together A City Renewal Project to call attention to the changing landscape of their city. They took over a warehouse and filled it with fake storefronts; the entryways were full-size prints of real deserted businesses from around Toronto.

A City Renewal Project from Dan Bergeron on Vimeo.

The pair – and their crew of assistants – carted in just about everything you could expect to see on an actual city street: rubbish, graffiti, leaves, bicycles, billboards, and even an old streetcar shelter and bus stop. Even the entrance to the warehouse was invented by creating a false storefront called “Mr. Loogie” for visitors to enter through.

(image via: Torontoist)

The temporary city street was constructed in a block that was slated to be demolished to make way for a new condominium complex. But unlike the false shopfronts in North Tyneside, these imaginary shops were there to bring all eyes to the troublesome practice of demolishing history, rather than concealing the changing business landscape from residents.


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[ WebUrbanist - By Delana in Abandoned Places, Subvertising & Counter-Ads, Urban & Street Art. ]

[ By Delana in Abandoned Places, Subvertising & Counter-Ads, Urban & Street Art. ]

When a city’s economy begins to fail, those in charge have some choices to make. Should they pump money into local businesses? Should they let the public see just how bad it’s getting? One town in England is taking a novel approach to the scores of closed-up shops on its main street: they’re putting up fake business fronts to make the shopping areas seem less deserted.

(image via: Daily Mail)

In North Tyneside, more than 140 businesses have closed up shop, leaving the High Streets looking somewhat desolate and empty. Knowing that a deserted shopping area can discourage other businesses from moving in while it encourages even more to pull out, the North Tyneside council decided to try a radically unusual approach: they’re faking it.

(image via: Daily Mail)

The council is funding a project to install fake storefronts onto vacant retail spaces. The first stage of the project was transforming a deserted clothing store into a delicatessen. A removable covering reading “Delicatessen?” was installed over the shop’s existing signage, and a brightly-colored picture depicting the interior of a busy deli was installed behind the shop’s large windows.

(image via: Daily Mail)

The picture helps passers-by to imagine what the shop might look like if it actually were a delicatessen. The council hopes this bit of imagination-boost will help potential tenants to envision the possibilities of the space. It’s a powerful image that would certainly inspire business owners more than an empty, desolate retail space ever could. The council plans to put up more fake shopfronts to support commercial areas in several towns. At around £1500 per shop, it’s a quick, inexpensive and completely reversible way to spruce up a deserted-looking shopping center.

(image via: Torontoist)

If the project seems familiar, maybe it’s because it’s eerily similar to an art project that took place in Toronto in 2008. Artists Dan Bergeron and Gabriel Reese put together A City Renewal Project to call attention to the changing landscape of their city. They took over a warehouse and filled it with fake storefronts; the entryways were full-size prints of real deserted businesses from around Toronto.

A City Renewal Project from Dan Bergeron on Vimeo.

The pair – and their crew of assistants – carted in just about everything you could expect to see on an actual city street: rubbish, graffiti, leaves, bicycles, billboards, and even an old streetcar shelter and bus stop. Even the entrance to the warehouse was invented by creating a false storefront called “Mr. Loogie” for visitors to enter through.

(image via: Torontoist)

The temporary city street was constructed in a block that was slated to be demolished to make way for a new condominium complex. But unlike the false shopfronts in North Tyneside, these imaginary shops were there to bring all eyes to the troublesome practice of demolishing history, rather than concealing the changing business landscape from residents.


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[ WebUrbanist - By Delana in Abandoned Places, Subvertising & Counter-Ads, Urban & Street Art. ]

[ By Delana in Architecture & Design, Urban Images, Urban Videos. ]

Model cities aren’t just the stuff of kids’ toys. They’re used all over the world for urban planning, architectural proposals and research. But while miniature cities are useful, they’re also a unique kind of art. Older models give us a very real glimpse into what cities looked like in past generations, while new models can help us to visualize what our surroundings will look like in the future. And as an added bonus, tiny cities manage to turn even the most jaded grown-up into a kid again, at least temporarily. Their diminutive size lets us pretend and imagine again, just like we did when we were kids.

(image via: Stuck in Customs)

You’re looking at one of the largest complete miniature cities in the world. At over 1,000 square feet, this massive scale model of Shanghai covers more ground than many apartments. It’s a projection of what the city will look like in the year 2020, with current buildings and planned buildings standing in this dazzling display. The model is currently in the Shanghai Urban Planning Museum.

(images via: mrceri.co.uk)

The story behind this incredible model of Manhattan is almost as amazing as the model itself. It was built over the course of about 2,000 working hours by software engineer Michael Chesko. He wasn’t building the model in a professional capacity; he was simply having fun. He hand-carved each tiny piece from balsa wood using nothing more than an X-Acto knife, a nail file, and a Dremel. The impressive 1:3200 model now rests in New York’s Skyscraper Museum after being hand-delivered by Chesko and his wife; amazingly, neither had ever set foot in the city before that day.

(images via: Queens Museum)

Built as an exhibit for the 1964 World’s Fair, the Panorama of the City of New York remains to this day a revered part of New York history. The huge 9,335 square foot architectural model contains over 895,000 individual structures and required a team of more than 100 workers to bring it to life. The incredible model is a point of pride for the Queens Museum of Art, where it is on permanent display. To provide for the care of the model, the museum has recently started “selling” real estate on it.

(images via: Wired)

The Bay Model is one of America’s most well-known models. It doesn’t depict an entire city; rather, it is a scale reproduction of the San Francisco Bay. It was built in 1957 by the U.S. Army Corps of Engineers to give a better understanding of the water flow patterns in the Bay. The model was used in countless scientific experiments until it was decommissioned as a research tool in 2000. It still remains a popular tourist attraction, and it was even used as a tool on the television show Mythbusters.

(images via: Dornob)

It takes a special kind of dedication to spend more than three decades constructing a painstaking recreation of downtown San Francisco out of more than a million toothpicks. Scott Weaver created this amazing masterpiece over the course of nearly 35 years. It’s a fantastical San Francisco not quite true to the original, but the ping pong ball tracks running through the landscape are a notable improvement over the full-size city.

(images via: Dornob)

This miniature origami city may not have taken half a lifetime to complete, but it’s just as impressive as if it had. Using simply paper, glue, and basic tools, Japanese artist Wataru Itou spent four years on this unique palace. The finished piece includes lights, moving parts, and even cranes and other construction equipment, implying that the city was built by a civilization of tiny people with a mind to keep growing and improving their impressive home.

(images via: English Russia)

This Soviet-era model of Moscow is the largest miniature recreation of the city. Covering more than 400 square feet, the model opened in 1977 and is an incredibly detailed representation of the city at that time. Unfortunately, the museum it was in since the 1970s didn’t think it was worth the considerable electricity costs it generated, and in 2006 it offered the entire model for sale, for a modest price of just $3 million.

(images via: PlanetOddity)

This version of mini Moscow, however, is still very much in use. It’s a city planning model that is meticulously updated whenever a building is built, demolished or significantly altered. The massive model spans over 1540 square feet and was originally built in 1988. The tiny homes and other buildings are surprisingly detailed  – so detailed, in fact, that it would probably be almost impossible to resist wanting to stomp through the itty-bitty city like a human Godzilla.

(images via: USC)

From 1938 to 1940, a team of architects and model makers built a huge, detailed model of downtown Los Angeles. The U.S. Works Progress Administration contracted the project; today, the landscape of the area is dramatically different, but a few familiar buildings can still be spotted in the large model.

(images via: Build Your Own Chicago)

Chicago has always been at the forefront of city planning. In 1909, Daniel Burnham’s “The Plan of Chicago” was the first truly organized effort to plan the controlled growth of a city. To celebrate the centennial of the groundbreaking urban plan, the Chicago Architecture Foundation developed this scale model of the city’s downtown area. But this isn’t just any model – all of the buildings were created via stereolithography (3D printing), making it a truly 21st century production.

(image via: MKC Partners)

This wonderfully tiny (1:1000) scale model of Minato-ku, Tokyo was meant to give a better view of potential sites for the 2012 Olympics. Unfortunately, Tokyo lost the bid for the games to London, but this incredible model – which took over 14 months to complete – is an impressive achievement of its own.

(images via: City of Sound and Pipers)

These pictures show two different models of London from the same architectural model-making firm, Pipers. The top model is on permanent display at the New London Architecture building; the bottom was a model commissioned by the City of London Corporation. Both show the City in incredible detail; the top was made with a finely-tuned laser cutter, while the buildings on the bottom are made of hand-carved wood.

(image via: Parks Canada)

Constructed in 1806 by two members of the Corps of Royal Military Surveyors Draftsmen, this model of Quebec City was sent to England in 1810 to make a point: the city’s defensive system needed to be updated. The model was returned to Canada as a gift in 1908, to commemorate the 300th anniversary of Quebec City. Today, the model is a permanent display at the city’s Artillery Park.

(images via: Ahoodie)

This scale model of an unnamed futuristic city looks pretty run-of-the-mill at first, until it becomes clear that the model was built from found objects and various leftover model parts. Josh Spooner was inspired by the great dystopian movies, like Blade Runner and The Fifth Element, to create a landscape that was technology-based but clearly indicated humankind’s negative effect on the environment. Spooner considers the model to be a work in progress.

(image via: Kieran Huggins)

While it isn’t a complete scale reproduction of Toronto, this miniature city on display in City Hall does point out some recognizable landmarks. According to City Hall, it also displays some planned future developments, giving visitors a glimpse of what Toronto may look like in the coming months and years.

(image via: mrceri.co.uk)

Renowned kooky architect Buckminster Fuller designed this model of a futuristic floating city in the 1960s. Despite its age, it resembles many of the “futuristic” designs still being produced today. The city was supposed to contain space for residents to live, work and play – all without leaving their own floating paradise.

(image via: Peter Root)

This anonymous city, constructed by artist Peter Root entirely of staples, proves that you don’t have to have an architectural goal in mind to built your own city. The fun little model, says Root, is vulnerable to even the slightest breath or vibration; one false move by a normal-scale human and the whole city comes tumbling down.

(images via: Dinosaurs and Robots)

Like a tiny, cavity-inducing Las Vegas, this model city features landmarks and famous buildings from all over the world. There’s the Sydney Opera House, the Taj Mahal, the Eiffel Tower, the London Eye and many other recognizable elements in this made-up landscape composed entirely of white sugar. Artist Meshac Gaba calls his masterpiece “Port City.”

(images via: Brendan Jamison)

Gaba isn’t the only one to take a cue from childhood art projects and make something spectacular out of sugar. Artist Brendan Jamison also builds detailed structures from the sweet stuff, though it looks like he hasn’t yet constructed an entire city.

(images via: Spiceship Studio)

If he or any other artist ever gets the inclination to build model cities out of sugar, though, may we suggest using these fabulous sugar cube cinder blocks from Spiceship Studio?

The Sandpit from Sam O’Hare on Vimeo.

And finally, we have the miniature city that’s not at all what it seems. This delightful short film by director Sam O’Hare seems to give us a look into an incredibly detailed mini New York, complete with pedestrians, construction sites and tourists. But the film is actually a series of 35,000 still photographs using tilt shift to make them look miniaturized. The result is a precious film that lets us see the city in a whole new light.


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[ WebUrbanist - By Delana in Architecture & Design, Urban Images, Urban Videos. ]

[ By Steph in Architecture & Design, Travel & Places, Urban Images. ]

(images via: tony demarco)

Outdoor advertising is so ubiquitous in almost every urban setting around the world, it’s difficult to walk down a street, take an escalator or sit on a bench without getting slapped in the face with one product or another. But the city of São Paulo, Brazil is like an advertising ghost town: all of its billboards stand oddly blank and empty.

In September of 2007, the world’s fourth-largest metropolis was scrubbed of almost every type of outdoor advertising – even pamphlets. It’s all part of mayor Gilberto Kassab’s quest to eliminate visual clutter, making the city itself the focal point rather than colorful, increasingly desperate marketing campaigns.

(images via: eduardoZ)

“The Clean City Law came from a necessity to combat pollution . . . pollution of water, sound, air, and the visual. We decided that we should start combating pollution with the most conspicuous sector – visual pollution,” said Kassab.

The results are astounding: gone are the 50-foot lingerie ads and oversized neon signs a la Times Square. In their place are strange vacancies, gaping holes… space. Suddenly, the architecture and natural scenery come into sharp focus.

(image via: katedubya)

While advertisers weren’t too happy about the law – $8 million in fines were levied against those who dawdled in taking ads down, and Clear Channel launched an unsuccessful campaign to raise support for putting them back up – the citizens clearly approve. Surveys found that at least 70% are happy with the change.


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[ WebUrbanist - By Steph in Architecture & Design, Travel & Places, Urban Images. ]

[ By Delana in Abandoned Places, Subvertising & Counter-Ads, Urban & Street Art. ]

When a city’s economy begins to fail, those in charge have some choices to make. Should they pump money into local businesses? Should they let the public see just how bad it’s getting? One town in England is taking a novel approach to the scores of closed-up shops on its main street: they’re putting up fake business fronts to make the shopping areas seem less deserted.

(image via: Daily Mail)

In North Tyneside, more than 140 businesses have closed up shop, leaving the High Streets looking somewhat desolate and empty. Knowing that a deserted shopping area can discourage other businesses from moving in while it encourages even more to pull out, the North Tyneside council decided to try a radically unusual approach: they’re faking it.

(image via: Daily Mail)

The council is funding a project to install fake storefronts onto vacant retail spaces. The first stage of the project was transforming a deserted clothing store into a delicatessen. A removable covering reading “Delicatessen?” was installed over the shop’s existing signage, and a brightly-colored picture depicting the interior of a busy deli was installed behind the shop’s large windows.

(image via: Daily Mail)

The picture helps passers-by to imagine what the shop might look like if it actually were a delicatessen. The council hopes this bit of imagination-boost will help potential tenants to envision the possibilities of the space. It’s a powerful image that would certainly inspire business owners more than an empty, desolate retail space ever could. The council plans to put up more fake shopfronts to support commercial areas in several towns. At around £1500 per shop, it’s a quick, inexpensive and completely reversible way to spruce up a deserted-looking shopping center.

(image via: Torontoist)

If the project seems familiar, maybe it’s because it’s eerily similar to an art project that took place in Toronto in 2008. Artists Dan Bergeron and Gabriel Reese put together A City Renewal Project to call attention to the changing landscape of their city. They took over a warehouse and filled it with fake storefronts; the entryways were full-size prints of real deserted businesses from around Toronto.

A City Renewal Project from Dan Bergeron on Vimeo.

The pair – and their crew of assistants – carted in just about everything you could expect to see on an actual city street: rubbish, graffiti, leaves, bicycles, billboards, and even an old streetcar shelter and bus stop. Even the entrance to the warehouse was invented by creating a false storefront called “Mr. Loogie” for visitors to enter through.

(image via: Torontoist)

The temporary city street was constructed in a block that was slated to be demolished to make way for a new condominium complex. But unlike the false shopfronts in North Tyneside, these imaginary shops were there to bring all eyes to the troublesome practice of demolishing history, rather than concealing the changing business landscape from residents.


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[ WebUrbanist - By Delana in Abandoned Places, Subvertising & Counter-Ads, Urban & Street Art. ]

[ By Delana in Architecture & Design, Urban Images, Urban Videos. ]

Model cities aren’t just the stuff of kids’ toys. They’re used all over the world for urban planning, architectural proposals and research. But while miniature cities are useful, they’re also a unique kind of art. Older models give us a very real glimpse into what cities looked like in past generations, while new models can help us to visualize what our surroundings will look like in the future. And as an added bonus, tiny cities manage to turn even the most jaded grown-up into a kid again, at least temporarily. Their diminutive size lets us pretend and imagine again, just like we did when we were kids.

(image via: Stuck in Customs)

You’re looking at one of the largest complete miniature cities in the world. At over 1,000 square feet, this massive scale model of Shanghai covers more ground than many apartments. It’s a projection of what the city will look like in the year 2020, with current buildings and planned buildings standing in this dazzling display. The model is currently in the Shanghai Urban Planning Museum.

(images via: mrceri.co.uk)

The story behind this incredible model of Manhattan is almost as amazing as the model itself. It was built over the course of about 2,000 working hours by software engineer Michael Chesko. He wasn’t building the model in a professional capacity; he was simply having fun. He hand-carved each tiny piece from balsa wood using nothing more than an X-Acto knife, a nail file, and a Dremel. The impressive 1:3200 model now rests in New York’s Skyscraper Museum after being hand-delivered by Chesko and his wife; amazingly, neither had ever set foot in the city before that day.

(images via: Queens Museum)

Built as an exhibit for the 1964 World’s Fair, the Panorama of the City of New York remains to this day a revered part of New York history. The huge 9,335 square foot architectural model contains over 895,000 individual structures and required a team of more than 100 workers to bring it to life. The incredible model is a point of pride for the Queens Museum of Art, where it is on permanent display. To provide for the care of the model, the museum has recently started “selling” real estate on it.

(images via: Wired)

The Bay Model is one of America’s most well-known models. It doesn’t depict an entire city; rather, it is a scale reproduction of the San Francisco Bay. It was built in 1957 by the U.S. Army Corps of Engineers to give a better understanding of the water flow patterns in the Bay. The model was used in countless scientific experiments until it was decommissioned as a research tool in 2000. It still remains a popular tourist attraction, and it was even used as a tool on the television show Mythbusters.

(images via: Dornob)

It takes a special kind of dedication to spend more than three decades constructing a painstaking recreation of downtown San Francisco out of more than a million toothpicks. Scott Weaver created this amazing masterpiece over the course of nearly 35 years. It’s a fantastical San Francisco not quite true to the original, but the ping pong ball tracks running through the landscape are a notable improvement over the full-size city.

(images via: Dornob)

This miniature origami city may not have taken half a lifetime to complete, but it’s just as impressive as if it had. Using simply paper, glue, and basic tools, Japanese artist Wataru Itou spent four years on this unique palace. The finished piece includes lights, moving parts, and even cranes and other construction equipment, implying that the city was built by a civilization of tiny people with a mind to keep growing and improving their impressive home.

(images via: English Russia)

This Soviet-era model of Moscow is the largest miniature recreation of the city. Covering more than 400 square feet, the model opened in 1977 and is an incredibly detailed representation of the city at that time. Unfortunately, the museum it was in since the 1970s didn’t think it was worth the considerable electricity costs it generated, and in 2006 it offered the entire model for sale, for a modest price of just $3 million.

(images via: PlanetOddity)

This version of mini Moscow, however, is still very much in use. It’s a city planning model that is meticulously updated whenever a building is built, demolished or significantly altered. The massive model spans over 1540 square feet and was originally built in 1988. The tiny homes and other buildings are surprisingly detailed  – so detailed, in fact, that it would probably be almost impossible to resist wanting to stomp through the itty-bitty city like a human Godzilla.

(images via: USC)

From 1938 to 1940, a team of architects and model makers built a huge, detailed model of downtown Los Angeles. The U.S. Works Progress Administration contracted the project; today, the landscape of the area is dramatically different, but a few familiar buildings can still be spotted in the large model.

(images via: Build Your Own Chicago)

Chicago has always been at the forefront of city planning. In 1909, Daniel Burnham’s “The Plan of Chicago” was the first truly organized effort to plan the controlled growth of a city. To celebrate the centennial of the groundbreaking urban plan, the Chicago Architecture Foundation developed this scale model of the city’s downtown area. But this isn’t just any model – all of the buildings were created via stereolithography (3D printing), making it a truly 21st century production.

(image via: MKC Partners)

This wonderfully tiny (1:1000) scale model of Minato-ku, Tokyo was meant to give a better view of potential sites for the 2012 Olympics. Unfortunately, Tokyo lost the bid for the games to London, but this incredible model – which took over 14 months to complete – is an impressive achievement of its own.

(images via: City of Sound and Pipers)

These pictures show two different models of London from the same architectural model-making firm, Pipers. The top model is on permanent display at the New London Architecture building; the bottom was a model commissioned by the City of London Corporation. Both show the City in incredible detail; the top was made with a finely-tuned laser cutter, while the buildings on the bottom are made of hand-carved wood.

(image via: Parks Canada)

Constructed in 1806 by two members of the Corps of Royal Military Surveyors Draftsmen, this model of Quebec City was sent to England in 1810 to make a point: the city’s defensive system needed to be updated. The model was returned to Canada as a gift in 1908, to commemorate the 300th anniversary of Quebec City. Today, the model is a permanent display at the city’s Artillery Park.

(images via: Ahoodie)

This scale model of an unnamed futuristic city looks pretty run-of-the-mill at first, until it becomes clear that the model was built from found objects and various leftover model parts. Josh Spooner was inspired by the great dystopian movies, like Blade Runner and The Fifth Element, to create a landscape that was technology-based but clearly indicated humankind’s negative effect on the environment. Spooner considers the model to be a work in progress.

(image via: Kieran Huggins)

While it isn’t a complete scale reproduction of Toronto, this miniature city on display in City Hall does point out some recognizable landmarks. According to City Hall, it also displays some planned future developments, giving visitors a glimpse of what Toronto may look like in the coming months and years.

(image via: mrceri.co.uk)

Renowned kooky architect Buckminster Fuller designed this model of a futuristic floating city in the 1960s. Despite its age, it resembles many of the “futuristic” designs still being produced today. The city was supposed to contain space for residents to live, work and play – all without leaving their own floating paradise.

(image via: Peter Root)

This anonymous city, constructed by artist Peter Root entirely of staples, proves that you don’t have to have an architectural goal in mind to built your own city. The fun little model, says Root, is vulnerable to even the slightest breath or vibration; one false move by a normal-scale human and the whole city comes tumbling down.

(images via: Dinosaurs and Robots)

Like a tiny, cavity-inducing Las Vegas, this model city features landmarks and famous buildings from all over the world. There’s the Sydney Opera House, the Taj Mahal, the Eiffel Tower, the London Eye and many other recognizable elements in this made-up landscape composed entirely of white sugar. Artist Meshac Gaba calls his masterpiece “Port City.”

(images via: Brendan Jamison)

Gaba isn’t the only one to take a cue from childhood art projects and make something spectacular out of sugar. Artist Brendan Jamison also builds detailed structures from the sweet stuff, though it looks like he hasn’t yet constructed an entire city.

(images via: Spiceship Studio)

If he or any other artist ever gets the inclination to build model cities out of sugar, though, may we suggest using these fabulous sugar cube cinder blocks from Spiceship Studio?

The Sandpit from Sam O’Hare on Vimeo.

And finally, we have the miniature city that’s not at all what it seems. This delightful short film by director Sam O’Hare seems to give us a look into an incredibly detailed mini New York, complete with pedestrians, construction sites and tourists. But the film is actually a series of 35,000 still photographs using tilt shift to make them look miniaturized. The result is a precious film that lets us see the city in a whole new light.


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[ WebUrbanist - By Delana in Architecture & Design, Urban Images, Urban Videos. ]

[ By Angie in Architecture & Design, Furniture & Interiors, Urban Images. ]

Wowsa! Architect, artist, magician, Robert Harvey Oshatz is all of that and so much more. He is the organic architect responsible for this magnificent home up in the canopy; the coolest house in the trees that you will likely ever see. The unique Wilkinson Residence graces the wooded landscape outside of Portland, Oregon. This treehouse would turn even the Swiss Family Robinson green with envy. More than likely you too will have a more than a twinge of desire to live in it.

According to Oshatz, the Wilkinson residence is, “Located on a flag lot, a steep sloping grade provided the opportunity to bring the main level of the house into the tree canopy to evoke the feeling of being in a tree house. A lover of music, the client wanted a house that not only became part of the natural landscape but also addressed the flow of music.”

This home was referred to as the Wilkinson Wave House by HGTV Extreme Living. You can see the waves, circles and cylinders, mimicking nature and music. The copper clad roof runs around the courtyard and is turned down to define the entrance. To enter this home, a person walks down a steep driveway and through a small courtyard. The floor then continues out over the slope as the ground rapidly drops away.

Oshatz gave his client what was asked of him, a house that felt as if it were isolated in the forest and that would allow him to hear the songs of birds. This home speaks to all of the senses. Being built on such a steep slope with the living spaces extended onto a deck, heightens the feeling of living in the forest canopy. By the time a person reaches the cantilevered deck amongst the trees, the floor level is about 25 feet above the ground.

The upper floors extend out into the forest canopy while the lower floor is recessed into the structure. The house uses a combination of western red shingles and copper. Douglas fir beams express structural elements within the gorgeous home.

An organic architect, Oshatz excels at finding harmony of human habitation and the natural world. He stated, “This house evades the mechanics of the camera; it is difficult to capture the way the interior space flows seamlessly through to the exterior. One must actually stroll through the house to grasp its complexities and its connection to the exterior.”

“One example is a natural wood ceiling, floating on curved laminated wood beams, passing through a generous glass wall which wraps around the main living room.” There is more than one answer to any problem and Oshatz emphasizes his outstanding vision and uniquely artistic and architectural talent with each of his creations. Step inside of the home to see the open plan arrangement.

The upper floor of this breathtaking home is used for the more public functions. More private spaces like bedrooms and bathrooms are recessed downstairs, giving them a protective quality. So much light comes in through the windows, allowing the home owners to feel like they live in the forest canopy. Yet the woods offers a cool shaded environment too instead of scorching heat through all that glass.

The large entry door pivots open into the cylindrical form that runs the length of the main living spaces. The wave ceiling runs throughout the Wilkinson residence. Oshatz writes, “The starting point of my work is the clients program, so my first step is to divide the program into its functional and spiritual components. The program is more than just a set of functional requirements, technical space allocations and relationships. It should embody the emotional needs of the client/user.”

Oshatz said, “The requirements of architecture are such that I must go beyond what the client understands. There must be surprise, mystery, beauty and delight, elements that make architecture rewarding to its users for a lifetime. This is one of the primary differences between architecture and building. It is the architect’s responsibility to go beyond the mere program and into the realm of what I call the spiritual.”

This is yet another amazing view of the interior, toward the kitchen, living room, meditation room, and external deck. Quoting Oshatz again, “Architecture is a synthesis of logic and emotion. When carried to its logical conclusion, a traditional design approach produces very imaginative structures. It is only a question of how much of an artist we architects choose to be.”

The wavy handcrafted cedar beams function acoustically with the surrounding materials to enhance the musical experience. Surely the homeowner, an avid chamber music fan, had no idea that Oshatz was a magician as well as architect to make all his dreams concerning this dream house come true. These views are from kitchen area towards the entry and the fireplace alcove.

The study alcove is connected to the rest of the house, but also keeps up a distinct connection to the outdoors by way of windows to let let nature inside. There are also mirrors to lend that one-with-nature feeling.

Another highlight of this home is the cylinder-shaped Round Reading Room. This custom-designed lounge off the kitchen was made using hand-cut templates and wooden ribs. The meditation room extends out onto the deck to provide an enhanced connection with the great outdoors.

Whether sitting at the fireplace alcove or the desk, one is in tune with nature. Even from the amazing shower, Robert Oshatz managed to connect the house with its stunning natural surroundings. This is a brilliant example of the harmony of bringing nature into the house and keeping the house beautifully blended with nature from the outside.

Designed in 1997 and completed in 2004, the Wilkinson Residence has been stunning its owners and observers. On his website, Robert Harvey Oshatz stated, “An architect is an artist, creator, logician of evolving aesthetic structures; a designer of not only the visual but the internal space. I see architecture as a synthesis of logic and emotion, exploring and fulfilling the dreams, fantasies and realities of my clients, whether they are individuals, corporate, or community identities.”

  • Project Name: Wilkinson Residence
  • Location of Site: Portland, Oregon, USA
  • Design Team: Robert Harvey Oshatz
  • Project Type: Residential
  • Client: Roy Wilkinson
  • Contractor/s: Roy Wilkinson, Robert Harvey Oshatz as Project Manager
  • Site Area: 2200 sq. mt.
  • Built-up Area: 480 sq. mt.
  • Date of completion: 2004

All images provided by Architect Robert Harvey Oshatz, a true gentlemen, gifted artist, and architectural magician who creates romantic work.


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[ WebUrbanist - By Angie in Architecture & Design, Furniture & Interiors, Urban Images. ]

[ By Marc in Gadgets & Geek Art, Technology & Futurism. ]

Steampunk, the aesthetic of Victorian clothing and steam powered technology, is known best for its old timey costumes and eccentric, cog-laden accessories, but there’s a whole side to the movement that’s exploding in popularity: Artwork. The airships with their sky captains, the rumbling, lurching machines of war, and mustachioed heroes with rocket packs provide a plethora of content for any artist. Here are 11 of the best and most intriguing types of steampunk artwork:

(Images via anidea, steampunkscholar, steampunkmagazine)

A large part of the steampunk appeal is the variety of characters and the uniqueness of their clothing, appearance, and behavior. The Airship Captain and his nemesis the Air Pirate… the Soldier of Fortune with a rocket pack… the variety is endless. It’s natural that paintings and digital art would spend a lot of time focusing on these characters and their eccentricities. Bright colors and a lot of movement give these portrait subjects the appearance of swiftness and power.

(Images via boingboing, infinitecoolness, templates, lanalog)

Any sci fi world has to have robots, as they’re a crucial focal point for the examination into humans and technology. With steampunk’s emphasis on pushing the boundaries of technological innovation (albeit via outdated science), the creation of robots is a large factor in the genre. The clockwork, cogs and gears, element makes robots even more interesting because of their apparent fragility and uniqueness.

(Images via cgsociety, omega7red, saintview)

The only thing more fun than a clockwork robot is a clockwork robot hundreds of feet high. As is natural in any scenario that involves brilliant Professors, some of them are bound to be insane and power hungry, and just downright villainous. Whether these lurching colossi were created by an ambitious government power, or a greedy tycoon, they always add excitement to a steampunk tale. Artists have a lot of fun illustrating the destruction these creations can wreak on an urban center.

(Images via steamlords, ottens, mykeamend, phoenixnewtimes)

Airships are one of the staples of steampunk, and their importance to the movement is well represented by the amount of artwork centered on them. Whether they sail through the sky using gigantic Zeppelin style balloons, or are kept aloft by gigantic flapping wings and rotors, they are a stunning visual example of all that’s interesting about the culture, and the technological dream it represents.

(Images via ebsqart, elfwood)

Just as fantasy subcultures have an intense subculture that revolves around cartography, mapping the various lands in fictional universes with beautiful sketches and old style maps, steampunk has schematics of the intricate clockwork machines and attachments that are required in any interesting steampunk tale. Schematics are often beautifully rendered, but they’re also just as often quick entertaining sketches that appear to have sprung out of the mind of some madcap Professor.

(Images via izismile, darkroastedblend, haikubaikou)

As any steampunk world is part of a fictional universe, some artists tend to take the aesthetic into a more abstract direction. They dream of worlds in which animal and machine are combined, or where machines have become so advanced under steam power that they’re as ingrained as cars are in our world.

(Images via peachbeach, brassgoggles, steampunkrings, elfwood)

The prolific inventor and wildly intelligent inventor / gentleman is one of the many character types that are popular in costuming and art. The combination of old style stateliness with action and wild accessories lend an interesting duality to these characters.

(Images via myfreewallpapers, ubersuper, cghub, commissioned, ottens)

Victorian landscapes and visions of classic city centers is always beautiful. When you add the steampunk aesthetic, these landscapes can transcend what is truly possible and become utopian (or extremely industrial). The steampunk emphasis on machines and technology allow artists to incorporate incredibly interesting elements into what would otherwise be a mundane cityscape.

(Images via ottens, brassgoggles, drikoland)

Star Wars has leaked into nearly every subculture since its premiere in 1977, and steampunk is no exception. While many artists concentrate on creating costumes for Stormtroopers and Darth Vader that represent steam technology, there are also plenty of painters and digital artists who have taken a stab at this famous trilogy and its characters.

(Images via aj-concepts, gaiaonline, darkroastedblend, streettech)

Transportation is a fun element in any steampunk fiction. Pneumatic tubes, incredibly fast railroad cars, and powered bicycles are just some examples of the shaky steam powered vehicles that are common. The only requirement is that they be groundbreaking for the story’s period, and that they break down often, but can always be repaired on the go, and are always able to kick back into action when a second’s delay would have meant doom.

(Images via thegeekcouch, pinkkryptonite, forbiddenplanet, conceptart)

Any fiction includes war, but steampunk fiction adds new twists, with even more exotic ways for nations to butt heads. Flying ships, napalm, rocket packs, tanks and robots, all add to the variety of troops and machines that can be sent against one’s enemies. In some fiction nations fight in the old style, with alternating volleys of steam powered muskets and rocket barrages, but in most tales, it becomes much messier. Giant war machines are typically at the center of any big battle, and they add an intimidating visual element to steampunk artwork.


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[ WebUrbanist - By Marc in Gadgets & Geek Art, Technology & Futurism. ]

[ By Steph in Guerilla Action & Art, Urban & Street Art, Urbanism. ]

All it takes is a crawling woman in a hairy suit, a bunch of jumping men with televisions on their heads or a guy projecting his private parts onto public buildings to turn urban settings into surreal theatrical stages. Like guerilla action, performance art is a kind of “culture-jamming”, a deliberate interruption of daily life – and it certainly causes people to snap out of their little bubbles and take notice of their surroundings.

Marlene Hairy Crawling and Bathing Performance

(images via: vargas.org.uk)

Imagine walking down the street and suddenly noticing something that looks like a nightmarish combination of Chewbacca and Cousin It crawling at your feet. A 2005 performance art project in Vienna called “Marlene Hairy or In My Bathtub I am the Captain” was all that and creepier, because if you followed it, the crawling progressed to bathing. Artist Marlene Haring led about fifty onlookers across town to her home, then went into her bathroom and shut the door, which bore a sign reading “If you want to talk with me, you have to bathe with me.” Several people got into the bath.

Penis Projector

(image via: metro)

Is performance artist Jaime del Val overcompensating for some perceived shortcoming, or just really into phallic shadow art? Both and neither, according to him. Del Val, who walks the streets of Madrid projecting gigantic images of his penis onto urban surfaces, says buildings are “organs of power”. He also states that he’s seeking to promote himself as a “pangender cyborg” in protest against homophobia, surveillance, control and consumer society.

Public Wrestling Challenge

(image via: artdaily.org)

Violence is good. Or at least, that seems to be the message artist Anthony Schrag is sending out as he challenges the public to take their anger out on him for a performance art piece. Schrag believes that violence is too often considered undesirable when at times, it can be cathartic. He has built his career on using the human body as a tool of communication.

“I’m no professional, and there is certainly a sense of danger in letting strangers do what they will with my skinny little body, but that is what makes the project interesting: The trust and sense of reality between two people that only know each other as opponents. If I show contenders that I trust them, it is usually reciprocated – and there’s a referee on hand in case things get too rough!”

Creepy Japanese Crawling Robot

It’s a bizarre scene: a nurse pulling down the pants of an aging Japanese businessman, who’s crawling down an Australia sidewalk. Only, the ‘man’ is actually a robot, meant to symbolize the Asian economic crash and Japan’s rigid “salaryman” culture, and the ‘nurse’ is performance artist Momoyo Torimitsu.

SWARMUSIC Guerilla Street Performance

It’s the LA art scene – is anything surprising? Six men in weird masks blaring unsettling music from amplifiers strapped to their chests barely get a reaction in this town.  A strange bit of guerrilla performance art called SWARMUSIC took place in the midst of a November 2009 downtown Los Angeles Art Walk. Each of the performers walked a planned route, and each of their amplifiers was playing a portion of a song. As the performers wove in and out of the crowd, the “song” faded in and out.

Guitar-Playing Birds

The rhythm of daily life can be chaotic… especially when you allow wild creatures to play instruments. French artist Céleste Boursier-Mougenot set up a bunch of instruments in a walk-through aviary for a performance art installation at The Curve in London, allowing a flock of zebra finches to make their own special music. The installation will be live from February 27th, 2010 to May 23rd 2010.

Attack of the Inflatable Artist

What else is there to do when a giant inflatable sculpture is running toward you at full-speed, but haul ass in the other direction? Pittsburg, Kansas performance artist Jimmy Kuehnle says he just wants to shake people out of their zombie-like routines, make them smile and “change their way of thinking in a small way.” Their reactions range from the expected avoidance to fascination to cursing.

Underwater Stripper

(images via: weirduniverse.net)

In 1949, performance art wasn’t all that common – and people weren’t yet completely hypnotized by the boob tube. So it’s easy to see why the spectacle of underwater stripping would draw a crowd, like the routine done by one “Divena” in New Orleans. But apparently, Divena’s fellow strippers weren’t too happy about the attention she was getting. The caption under the bottom photo, from LIFE Magazine, reads “Stripper Evangeline Sylvas angrily breaks a water tank being used by a fellow stripper—a disruption that was not a planned part of the act.”

Street with a View

(image via: street with a view)

Google Street View gets a lot more interesting on one particular Pittsburg block thanks to an organized performance art campaign called Street with a View. Robin Hewlett and Ben Kinsley gather neighborhood residents on Sampsonia Way to act out parades, marathons, band practices and other scenes – all for the enjoyment of virtual tourists.

The Walking Tree Man

Nothing grabs attention in the streets quite like a 12-foot walking tree. Performance artist Cliff Spenger aims to bring a little nature to urban environments and inspire people to reconnect with the natural world.

Trash Mind / Tri Tue Rac

Vietnamese artists Le Van Son and Le Nguyen Manh teamed up with Danish artist Christian Falsnaes for a project called “Trash Mind / Tri Tue Rac”, which involved jumping around in reflective vests with televisions on their heads. Maybe they’re trying to say that TV trashes our minds, or maybe they just like to shock the hell out of random people on the streets of Hanoi. Either way, it’s entertaining.

Johan Lorbeer’s Defiance of Gravity

(images via: johan lorbeer)

Wait, is that guy floating? It sure seems like it, when artist Johan Lorbeer takes his installations “Proletarian Mural” and “Tarzan” to the streets. Lorbeer gazes serenely out in space while hovering a dozen or more feet in the air, casually leaning his arm against a building. Onlookers gather and stare in wonder, trying to figure out exactly how he can pull off such an illusion (hint: the supporting arm is fake).

Giant Liverpool Spider


(image via: the telegraph)

Anyone with a fear of spiders would have been well-advised to stay away from Liverpool in September of 2008, when an outrageously large spider appeared on the side of a downtown building. This work of street theater came at an unusually large cost and scale – the £250,000 spider measured over 65 feet across and was operated by 12 people strapped to its frame, who coordinated its movements.


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[ WebUrbanist - By Steph in Guerilla Action & Art, Urban & Street Art, Urbanism. ]

[ By Steve in Architecture & Design, Furniture & Interiors, Gadgets & Geek Art. ]


Wax candles went retro when Edison invented the light bulb, but don’t “bee” sad. We can still spark things up with some creative variations on the original long-lasting lighting source. These baker’s dozen of cool candles prove it doesn’t cost a fortune to buy a little flame.


LEGO-look Candles

These LEGO-look candles do a great job of adding wicks to your favorite bricks. Measuring 7.5″ x 3″ x 3″, these oversized recreations of everyone’s fave childhood recreation are made with eco-friendly soy wax and offer 8 wicks for a full range of classic candle lighting.

(images via: A-Plus Store and Curbly)

Available in three colors (red, blue and yellow), the LEGO-look brick candles were designed by P.A.D. and are made in the USA.

Beer Candles

(image via: The Lighter Side)

I’ve heard of “burning the midnight oil” but setting my beer on fire… is nothing sacred anymore? According to the manufacturer’s ad copy, “Guys will love the fresh brewery fragrance that smells just like a cold one!” I dunno… guys like the sizzle of a juicy t-bone on the BBQ but without the payoff, we’re, well, p’d off. If having your home smell like a brewery without any actual beer involved suits your (obviously evil) purposes, so be it – these beer-scented candles go for under $20 each.

(image via: Baking Shop)

For those who are in a celebratory mood – though who needs a reason to hoist a cool, frosty one? – these beer and champagne candles are the icing on the (probably rum-infused) cake.

Jesus Candles

(image via: Tulumba)

Speaking of nothing being sacred, I give you… Jesus Candles! What you do with them is your own business but just consider that touching a lit flame to the head of Our Lord and Savior (in waxy form) will probably buy you a one-way ticket to a rather warm place of your own.

(image via: Chop Wood, Carry Water)

The coolest thing about these candles is the name “Jesus” helpfully inscribed on the base of each one… just in case you thought you were burning Judas, which might possibly make some small shred of sense.

Light Bulb Candles

(images via: Moolf and Queen B)

Would you buy a sword that shoots bullets? How about a horse that can parallel park? That’s the idea behind Light Bulb Candles – retro function in modern form. Depending on the manufacturer, light bulb candles can be made of standard white paraffin or from environmentally-friendly beeswax, such as the pale golden “eco-bulb” above from Queen B.

(image via: Tokyomango)

What happens when you leave your light bulb candles lit too long? NOT the above – what appears to be a half-melted waxy accident is actually an electric lamp.

Cactus Candles

(images via: Reb Stevenson, Candle Factory Store and The Soc Exchange)

Add some desert to your dessert with Cactus Candles! These waxy wonders evoke the raw beauty and rugged feeling of America’s hottest wilderness destinations, without any need for watering – unless you light a few too many. Start with a prickly pair and move up to lighting a saguaro – your romantic dinner rendezvous will surely end with a come hither glance and a whispered “Are you thorny, baby?”

Bleeding Candles

(images via: Amazon and Candletech)

Goth types already know that candles are cool but wait til they get a load of these Bleeding Candles. Just the thing for accessorizing a dungeon… dragons (and geeks) optional. There’s no secret to how these bleeding candles work – a two-stage dipping process involves creating a red inner candle which is subsequently dipped in white wax. Light it up, and let it bleed!

Powerstrip Candles

(images via: Unplggd and Craziest Gadgets)

What can one say about these Powerstrip Candles that hasn’t been said before? It’s an ingenious concept: “plug” candles into the power-bar base until you achieve the desired level of illumination. You’ll never blow a fuse though you still have to blow them out. It’s a cool idea but alas, not one you can buy: the Powerstrip Candle is a one-off art piece by DesignGlut created for the 2009 ICFF (International Contemporary Furniture Fair) offsite show, InDisposed. Its aim is to balance environmentalism and durability through addressing the tension of contemporary design

Matchstick Candles

(images via: Perpetual Kid and MCA Chicago Store)

Strike a blow for creativity with these Matchstick Candles! Just don’t strike the candles… save the waxy buildup for your furniture and floors. NuOp Design crafted this set of a dozen 2.6″ high paraffin candles while freely referencing retro packaging design. The bright red faux-phosphorus match heads are a nice touch as well.

Hand Gesture Candles

(images via: If It’s Hip It’s Here)

Next time someone asks you for a light, just give them the finger. These colorful Hand Gesture Candles from L’atelier WM in Paris, France, were modeled after real human hands for a true to life in-your-face effect. The burn time for each candle is about 3 hours each so keep that in mind next time you want to play Wicked Witch of the West at your next dinner party. Among the more unusual gestures included in the set are the Vulcan “Live Long and Prosper” greeting, the Heavy Metal salute (or “Hook ‘em Horns” for UT alumni), and of course the classic single-digit flip off.

Timer Candles

(images via: Amazon and Sportys)

These Timer Candles illustrate a clever way of bringing candles up to modern specs & expectations. The coiled 80 Hour Beeswax Coil Candle (in red, above) and its brethren are constructed in such a way as to burn only as long as you want candlelight. After that it’s lights out, baby.

Bacon Candles

(images via: Kittredge Candles)

It’s tough to beat the warm glow of candlelight and the cloying scent of America’s favorite food (and net meme), bacon. Now you can have your cake and eat it too… er, don’t eat it though, especially if its already lit. According to the designer, the Bacon Candles (which come either as votives or in jars) are triple-scented to smell “EXACTLY like bacon frying in the pan. Your mouth will water when you smell them burning!” Those who are lousy cooks can take solace in the fact that finally something they burn will smell great.

Wine Cork Candles

(images via: GadgetGrid and My Wedding Favors)

Wine bottles make convenient candle holders but any candles you may have on hand might not fit the openings of the bottles. Problem solved: Wine Cork Candles look like corks but burn like candles… which is much better than having wine corks that burn like *cough* corks.

Bomb & TNT Candles

(image via: Rare Bird Finds)

Light the fuse on fun with candles molded in the familiar forms of cartoon bombs and clusters of dynamite sticks. You get all the desirable soft lighting without any of the unwanted explosive fatal injuries and destruction of property. It’s possible those with nefarious ulterior motives will try to use these copycat candles as substitutes for the real thing, but that’s not advised. Leave the candles to the House of Wax or you might find yourself on a one-way trip to the Big House.


(image via: Kittredge Candles)

Wax on, wax off… if Mr. Miyagi knows paraffin is paramount, so should you. Easily molded into an endless number of forms and, once lit, burning at a safe and controlled rate, today’s edgy and amusing designs ensure even the wildest home decor scheme is never too hot to candle.


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